Liverpool · Chinese Diaspora · Intergenerational Memory

INJUSTICES 1946

History did not end in 1946.

INJUSTICES 1946 is a Liverpool-based cultural research and storytelling project examining the afterlives of injustice across generations — and, more broadly, overlooked histories of Chinese diaspora communities in Britain.

The INJUSTICES 1946 emblem: a Liver Bird holding a balance between China and Britain.

PlaceLiverpool is our foundation.

History1946 is our point of departure.

MethodListening is our method.

FocusThe generations that followed are central to our story.

01 · Historical context

Where the story begins.

In 1946, Chinese merchant seamen in Liverpool were removed from Britain through a government repatriation operation, separating families and leaving many partners and children with little or no explanation.

The seamen form the historical foundation of this project, but they are not its only subject. Their story has increasingly entered public history, documentary and media. Our present inquiry asks what happened after the moment that is usually treated as the ending.

What did a disappearance mean inside a family? What was inherited by children who grew up with incomplete explanations, and by grandchildren who later returned to the archive in search of answers?

The men are where the history begins. The generations that followed are where its consequences continue.

02 · After 1946

The descendants are not an epilogue.

Our current research centres the children and grandchildren of families affected by 1946.

We are interested in how absence, interrupted kinship, silence, belonging, uncertainty and unanswered questions are carried, resisted and reinterpreted across generations.

Children

Lives shaped by the immediate absence of fathers, altered family structures and explanations that were often partial or unavailable.

Grandchildren

Later generations who encounter inherited stories, silences, documents and questions — sometimes becoming researchers of their own family histories.

Memory

How private family knowledge survives beside, outside or in tension with institutional records.

Inheritance

How historical injustice may continue through identity, relationships, belonging and the emotional work of making sense of the past.

We treat intergenerational trauma as a field of inquiry rather than a label imposed in advance. Testimony remains central to how descendants define the meaning of their own experience.

INJUSTICES 1946 Liver Bird and balance emblem.

03 · Our symbol

China. Britain. Liverpool.

Our emblem brings together the three geographical coordinates from which the project emerged.

The Liver Bird anchors the mark firmly in Liverpool. The two suspended forms evoke lives and families shaped across Britain and China.

The balance is not intended to weigh one nation against another. It represents an imbalance in historical memory: between what entered the official archive and what survived in families; between histories publicly recorded and experiences carried privately across generations.

  • ChinaOrigins, cultural memory and transnational family histories.
  • BritainWork, settlement, belonging and the institutions within which these histories unfolded.
  • LiverpoolThe locality and community from which INJUSTICES 1946 began.
  • BalanceA commitment to restoring weight to voices and experiences too often left outside dominant narratives.

04 · Research approach

Listening as method.

Listening is not simply how our work is consumed. It is part of how we research.

We bring oral testimony, archival material, environmental sound and experimental composition into conversation. Gaps, contradictions, silences and incomplete records are not treated as problems to hide, but as part of the historical condition we are trying to understand.

01

Oral testimony

Descendants and community voices are approached as sources of knowledge, interpretation and lived historical experience.

02

Archive

Documents and records provide context, but are read critically alongside what families remember and what official files leave unsaid.

03

Sound

Documentary audio and composition offer another way to encounter absence, place and memory beyond conventional narration.

05 · Projects

Current research

After 1946

Research and cultural storytelling focused on the children and grandchildren of families affected by the 1946 repatriations, and on the forms of memory and injustice carried across generations.

Research in development
Selected sound practice

Practice-based sound work

An experimental sonic work developed through testimony, archival fragments, environmental recordings and composition. It is intentionally not presented as a conventional podcast: its fragmented form asks how absence and incomplete evidence might be experienced through sound.

Audio excerpt to be added

06 · Archive

What remains. What is remembered.

The archive will grow with the research.

Rather than presenting a closed collection, we are building a space where historical records can sit beside oral testimony, family material and place-based memory.

Documents

Historical records and contextual research.

Oral histories

Testimony and intergenerational family narratives.

Family & place

Photographs, locations, objects and memory.

07 · People

Research is relational.

INJUSTICES 1946 combines sound practice, anthropological research, community knowledge and cultural storytelling.

Portrait of Kristina Chen (Qianbei Chen).

Kristina Chen
(Qianbei Chen)

Executive Producer · Sound Designer & Researcher

Kristina Chen (Qianbei Chen) is a sound designer and researcher working across oral history, documentary practice and sonic anthropology.

Her research interests include the histories, memories and lived experiences of Chinese diaspora communities in Britain, particularly stories that remain marginal to dominant public narratives. Her current work focuses on Liverpool and the intergenerational legacy of the 1946 repatriations, with particular attention to the children and grandchildren of affected families.

Her wider practice explores listening as a method of cultural research, bringing together oral testimony, archival material, environmental sound and experimental composition to investigate migration, memory, belonging and historical absence. She trained in Recording Arts before undertaking postgraduate study in Anthropology at UCL.

Joe Phillips (Sze)

Business Executive

Joe supports the development of INJUSTICES 1946 through community connection, public engagement and the wider growth of the project.

His links with community networks help keep the work connected to lived histories rather than treating them only as archival subjects.

Beyond one event

1946 is our point of departure, not our limit.

The project began in Liverpool, but our wider research concerns overlooked histories, memories and lived experiences of Chinese diaspora communities across Britain.

Future work may follow other histories of migration, family separation, labour, racism, belonging, language, identity and intergenerational memory — particularly where public narratives remain incomplete and community knowledge carries what the archive cannot.

Some histories disappear from records. Others survive in families.

08 · Contact

Have a story, memory or archive to share?

We welcome contact from descendants, community members, researchers, cultural organisations and collaborators.